By Steve Richards

As So Flo Guns moves into the production phase we revisit where South Florida’s – and the USA’s - gun history began.
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On December 8th we went to the Cape Florida Light to begin shooting (no pun intended) for So Flo Guns. There we stood in the footsteps of Ponce De Leon, sea robbing pirates, early settlers, Indians, Army soldiers, and two lighthouse keepers that battled 50 or so Seminoles from the lighthouse on a fateful July day in 1836. Aaron Carter, an African American, died in the battle.

Ponce De Leon’s landing on Key Biscayne in 1513 marks the beginning of guns in South Florida. Unfortunately, he left no artifacts. Pirates that presumably visited the island over the following centuries similarly left little to mark their passing.

It is however the location where Brian Newberry dug up a musket ball in 1981 with his metal detector - the oldest firearm artifact we have found in our research. And the occasion for our shoot. 

The sacking of the lighthouse as laid out in the firsthand account of John W. B. Thompson marks the earliest written description of guns in South Florida. It is a gripping tale in which he survived rifle shot injuries, a fire engulfed lighthouse (the wooden stairs were set ablaze), and a massive explosion when he threw a powder keg into the fire from the top of the lighthouse where he and Carter had ascended with their rifles. We are planning to include an animation of the event in our film. It really deserves an entire film as it encapsulates the issues surrounding the Second Seminole War and its attempted forced relocation of the Seminoles. It is also a war in which several advances in firearm tech and tactics developed, including Samuel Colt’s first big sale of repeating rifles to hold back the Seminoles who had learned to attack while troops reloaded their muzzleloaders.
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Park Ranger Shane Zigler enabled access to the keeper’s house, the lighthouse itself - all 109 steps - and grounds, where we got spectacular footage inside and out. Accord Productions provided the Sony FS7 4K camera package with lighting and audio, all in the hands of Accord’s Chris Lindabury. Thanks also to the park’s Heather Smith and Accord owner Max Wyler for getting it all together for us.

​We interviewed the Bill Baggs Cape Florida State Park’s resident expert/historian on all things related to the 2nd Seminole War and the Army’s activities post lighthouse sacking, Steve Mack. He is a firearms expert of the period. In addition to the interview he also provided a non-fire demonstration of the firearms used by those stationed at Camp Bankhead (the Army camp on the lighthouse grounds back then). 

One of these was a 1816 Springfield smoothbore musket which was the weapon US Army infantry troops were issued. The musket ball fit very nicely in the .69 caliber barrel.

​But the fun didn’t stop there. Steve Mack also brought a much rarer weapon: a Halls Carbine which represents a real evolution in gun tech which would revolutionize warfare leading up to the Civil War. Its percussion cap technology, a European innovation developed in the 1820’s, would begin to replace the flintlock that was standard after Ponce’s 16th century matchlock and had prevailed for centuries. In short, a percussion cap provides the spark to ignite the powder in the barrel rather than a piece of flint against a steel frizzen. It allowed much more reliable firing in all weather. The Halls Carbine was an elite weapon and would have been in use by Dragoons and cavalry at the time. The M-16 of the day Steve said.

​Our footage includes awesome panoramas of the Atlantic, Biscayne Bay, Key Biscayne, Miami, Miami Beach and Coconut Grove, and closeup documentation of the musket ball itself. 

Under the bright lights the ball looks like it might be from outer space. Unlikely. Steve Mack thinks it probably fell out of a soldier’s cartridge bag and simply left on the beach back when the army occupied the area. We want to take it to a lab to be sure.

​Perhaps the most fun of the day was when we decided to try the number on the pill bottle that Brian Newberry had returned the musket ball in. To our surprise he answered.

​And that’s a subject for another interview and shoot as we continue our journey to track the history of South Florida through its guns. Stay tuned.

​By Steve Richards

The So Flo Guns documentary, currently in pre-production, covers more than 500 years of guns in South Florida, from Ponce De Leon’s matchlocks to today’s assault rifles it tracks the evolution of our gun environment. The film shows that guns are part of our man-made ecology. And so far as South Florida’s humans are concerned, at least since landing on Key Biscayne in 1513, they’ve always been here, and they aren’t going anywhere.

So Flo Guns is organized chronologically in three parts with the Musket Ball Era first focusing on the time from 1513 through the Civil War and represented by a musket ball found on Key Biscayne….

• Part I - The Musket Ball Era (1500’s-1860’s) - From Ponce to the sacking of the Cape Florida Lighthouse in 1836 to the Civil War – and the pirates in between.
• Part II - The Modern Era (1870’s-1980’s) - Winchesters, Tommy Guns, Mac-10’s, Regulations, and the NRA
• Part III - The Parkland Era (1990’s-Present) - The filming of So Flo Guns began with the mass shooting in early 2018.

Our quixotic interest in disentangling, or at least illustrating the gun situation in the USA, is that the carnage, fear and emotional toll that we live with is unnecessary notwithstanding the seeming paralysis we are stuck with.

Which leads us to an epilogue in which we wonder what might be if all sides of the gun issue could be brought together to compromise and agree on a way forward. When it comes to guns in the USA we will need all sides of the discussion to reach a shared conclusion about steps to reduce their lethality on our fellow citizens like we’ve tamed South Florida’s flood waters. Much like what Marjory Stoneman Douglas accomplished with the Everglades whereby she brought all sides of the issue together - somehow. Something seemingly impossible in today’s political setting.

Marjory Stoneman Douglas

We can perhaps take inspiration from a name infamously reintroduced to all when a young gunman took an AR-15 on Valentine’s Day 2018 and murdered 17 at Marjory Stoneman Douglas High in Parkland.

​An iconic South Florida figure she authored The Everglades: River of Grass in 1947 and remains a gigantic environmental figure internationally as we continue to fight for the Everglades. A Medal of Freedom recipient she lived to be 108. A writer for the Miami Herald she became an activist in her 70’s.

As someone who has great admiration for her I personally find it unfortunate that her name will forever be associated with such a tragedy. But maybe that’s not where the story ends. I’ve come to appreciate that what is required to improve our gun environment is precisely that required to advance the Everglades issues of her day. All sides must be brought together to make real progress. With the Everglades she brought together environmentalists and hunters, landowners and conservationists, Republicans and Democrats. And she moved political mountains to fight a jetport in the middle of the Everglades (The 'world's greatest airport' that never was | CNN Travel) and led the way for tens of billions of dollars for Everglades restoration.

​She is an inspiration for what it will take to bridge the chasm in our gun environment. Her example shows that seemingly insurmountable gulfs can be bridged. The tools and example she demonstrated on the environmental front (activism, mutual self-interest, the press, pragmatic leaders) is useful in a gun debate looking for solutions.

​Like the Everglades it will take many years to get to where we want to be just like it has taken us decades to get to state-of-the-art flood control, which is anything but finished. Especially given the new variant in that never ending battle: climate change. This makes it something worthy of government action - and resources. Like the Everglades did - and continues to require

​Because the violence and lethality that is generated by our gun environment would never be tolerated from water, storms, or other natural causes. Nor should we need to take it from our guns. 

We’ve covered 500+ years of South Florida gun history in previous posts to get to what we are calling the Parkland Era. From Ponce DeLeon in 1513 at the beginning of the Musket Ball Era to today we see the evolution of our guns going from matchlocks, to flintlocks, to Winchesters, to the AR-15’s of today. Our times are marked by mass shootings and the realization that they can happen anytime, anywhere – with seemingly little to be done about it. The period is also marked by political polarization of what used to be a nonpartisan approach to gun regulation.

The iconic gun of this period is the AR-15 (see ArmaLite AR-15) with its military design, high-capacity magazines, sights and scopes, etc. Much of the American rifle industry is dependent upon the manufacture of these “sporting rifles” for their revenues, profits, stock prices, etc. Many will proffer that the AR-15 is not an actual battlefield weapon. Those would be the M-16 and M-4, the military version of the AR-15 (see ​AR15 vs M16 vs M4: What’s the Difference? - 80 Percent Arms). That’s beside the point. The high velocity rounds are the same and the carnage visited upon our kids that Valentine’s Day is the same as on the battlefields of Vietnam, Afghanistan and Iraq. Watch 60 Minutes Overtime: The explosive force of AR-15 style rifles.

​The filming of So Flo Guns began with the MSD mass shooting in early 2018. We went to document the memorials and mourned with our neighbors. Living in Miami it was too close to home with my daughter (and So Flo Floods producer/cameraperson) Bobbie Richards the same age as the murdered students at the time. The frustration and remorse emanating from the massacre at one of our schools by a shooter with an AR-15 - and our apparent impotence to do anything about it - led to this documentary and its examination of how we got here. We spent the rest of 2018 documenting So Flo’s gun culture.

A few days later was Carmen Schentrup’s funeral, which I happened to attend through my association with the church she attended. It is our hope and intention to tell at least a small part of the Parkland heartbreak through her story. Hopefully, we can interview those close to her to better understand who she was, and the loss inflicted upon those that survive her. In so doing we will try to encapsulate the broader experience of the Parkland sufferers. We’re reliving it all again right now both locally and nationally as news coverage focuses on whether the shooter will receive the death penalty.

​Parkland had a significant impact on our politics – for a time anyway - as we see in our footage from the March for Our Lives protest on Miami Beach including School Superintendent Carvalho’s speech on March 24, 2018. There was an expectation that changes in gun laws were coming. Two months later we documented a Miami gun show where our gun ecology, economics, and theology thrive.

Different communities  in South Florida - like elsewhere - have different fears. The more-wealthy live in neighborhoods and gated communities that see little day to day shooting. Those in poorer communities live with ongoing gun violence to greater and varying degrees. All are affected by the fear guns present to parents sending their kids to school. South Florida schools instituted monthly code red drills in the aftermath of Parkland. This is something new and speaks to what is a kind of variant in our five-century old gun environment. But everyday shootings are just as lethal to our community and kids – and more prevalent. The reality is though that assault rifles get most of the attention as a target for regulation as we have all but given up on the prevalence of 9mm and other handguns on our streets.

​Mass shootings with assault rifles began decades ago. The 1989 Cleveland Elementary School shooting in Stockton, California saw a gunman shoot and kill five schoolchildren and wound 32 others with an assault rifle. This and other mass shootings led to the Federal Assault Weapons Ban in 1994 which expired 10 years later. 

​In the end, Florida’s, like the nation’s, gun politics and lobbying are the headwaters of the flow of guns. In Florida this is personified by Marion Hammer, The N.R.A. Lobbyist Behind Florida’s Pro-Gun Policies. We concluded our 2018 shoots interviewing the head of Florida Carry at their Line in the Sand Event in October in which they exercised their right to carry rifles and sidearms to South Beach as they went fishing on South Pointe Pier. 

​The time we live in, as exemplified by the Parkland tragedy, is marked by an awareness that the next shooting is almost certainly coming, with little hope of averting it. A bit like hurricanes guns are part of our human made environment - and we have learned to live with them. We just hope that we and our loved ones aren’t in the path of the next shooter. The terrifying fact of life is we never see the next one coming in spite of our efforts. At least with a hurricane we see it coming as the cone of concern closes in or moves away. If only such cones existed for the next mass shooting.

By Steve Richards

​So Flo Guns is organized chronologically in three parts with the Musket Ball Era first focusing on the time from 1513 through the Civil War in 1865 and represented by a musket ball found on Key Biscayne (See The Oldest South Florida Gun Relic (theoeco.org)). A musket ball like those used by Ponce DeLeon and Spanish Conquistadors, pirates, Seminoles, soldiers, and South Florida’s earliest pioneers.

Towards the end of that era we find the Savage Navy Revolver in the Key West Museum of Art & History at the Custom House. It represents a kind of mutation in the evolution of gun tech and lethalness as we move into the unheard of carnage of the Civil War battlefields enabled by Minie’ Balls and percussion cap rifled muskets– and new firearms available to civilians.

​Personally, I think of guns as a kind of human made ecology. One not unlike water in that it is everywhere, can be very beneficial, and also kill you. It is also something that we try to control. In the USA this begins with the 2nd Amendment, continues on through the National Firearms Act in the 1930’s, on up to the regulatory environment – and the raging gun debates about them - of today.

Seen in that light we can use environmental/biological metaphors to talk about our evolving gun environment as we move forward into So Flo Guns’ Modern Era; that time from the Civil War through the Cocaine Cowboy days.

Specifically we are talking about repeating arms, and their enabling technologies like interchangeable parts and other innovations of the Industrial Revolution. Perhaps foremost of these being smokeless gun powder which allowed repeaters with all their moving parts to avoid being fouled by black powder residue.

Repeating rifles represented an awesome increase in firepower over their predecessors. They would not have been possible without new technologies and advances in industrial production out of New Haven where Winchesters (and cotton gins) were made. The Winchester Model 1892 found in the Richard and Pat Johnson Palm Beach County History Museum represents a prime artifact of the evolving South Florida gun environment of the time as the notorious Ashley Gang of the time epitomized. 

​The period is a colorful and increasing lethal time in our gun history memorialized in countless movies including westerns, gangster, and contemporary action flicks. Each of these genres feature guns that evolve markedly with lever-action rifles like the Winchester featured in John Wayne’s The Searchers, to Thompson sub-machine guns aka ‘Tommy Guns” in films like Brian De Palma’s The Untouchables, to Uzi’s and Mac-10’s in Scarface.

​What do Al Capone and Tommy Guns have to do with South Florida you might ask? Well, turns out that the St, Valentine’s Day Massacre was purportedly planned and ordered from Scarface’s Miami Beach Home in 1929. 

Not surprisingly these advances also led to a perplexing mix of developments in the regulation of our increasingly lethal civilian arsenal while also advancing and promoting their distribution. During this time we see the incorporation of a far different purposed NRA in 1871. Next we see the National Firearms Act in 1934 get control over the Gangland weapons used by Al Capone and his ilk. National Firearms Act | Bureau of Alcohol, Tobacco, Firearms and Explosives (atf.gov).
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​What counts as a controlled firearm? Check out the list on the ATF website. It includes machine guns, sawed-off shotguns, silencers, grenades, bombs, rocket-propelled grenades, mortars, artillery shells, etc. Even some of their parts are regulated destructive devices, not least of which are those that convert AR-15’s to fully automatic. It demonstrates that we lost most of our gun rights long ago. Which likely explains, in addition to the economic motivators of suppliers, that we struggle so mightily to keep those we still have.

​So Flo Guns will focus on all of these developments as we ultimately track the evolution of our gun environment into the Parkland Era of today as we tell the story of guns in South Florida and the nation.

By Steve Richards

Turns out that just about all the guns we have found in South Florida’s museums – including actual artifacts - were made in Connecticut. The Winchester Rifle in the Richard and Pat Johnson Palm Beach County History Museum was made in New Haven, the Savage Navy Revolver in the Key West Museum of Art & History at the Custom House was made in Middletown, and the Colt Revolver Rifle at the Seminole Tribe of Florida’s Ah-Tah-Thi-Ki Museum was made in Hartford.

​Not just Connecticut is represented in So Flo’s museums. Massachusetts is close though not with actual artifacts, At least, not for our purposes as we try to tell the story of South Florida – and the nation – through its guns.  Many of the firearms found in our museums haven’t had their provenience determined and are not necessarily from South Florida. 

​In contrast, the Savage skeleton spent more than a century buried under water off Key West before being discovered there. It is an actual artifact of the Civil War as these guns were only made in the early years of the war and with limited distribution to Union troops. All the organic material has disintegrated leaving only the steel frame demonstrating its submerged history. Examples like this are extremely rare and this is the oldest such example we have found, not counting the flintlock pistol found across the street from the Custom House in the Mel Fischer Maritime Museum. That gun dates back to 1700 but was found on a shipwreck and unlikely to be a part of South Florida’s history per se. Though it does represent the kind of guns the pirates and Spanish were using in these parts at that time.

​The New England connection is no surprise. Back in the day Massachusetts and Connecticut armed the USA. The Springfield Armory was built in 1795 to arm the fledgling new country. Samuel Colt got his start providing the army with a revolver rifle during the Second Seminole War when the army needed a repeating rifle that would overcome the Seminole’s tactical innovation of drawing fire and then charging as the soldiers reloaded. The Savage incorporated innovations on Colt’s cap-and-ball design that reduced the risk of “chain-firing” all six cylinders simultaneously. The .36 caliber “Navy” design was dropped by the army early on, Savage decided not to retool, and that was the end of these “ugly” revolvers.

While some of these famous names live on, the original companies – aside from Colt - are mostly gone, and the old factories largely boarded up. Sometimes, as in New Haven and Hartford, real estate developers have begun to take over the behemoth factories, at least partially.

Several of the iconic brands have been repurposed, like the Springfield Armory which was converted to a national park in the mid-1970’s, but whose name is now in use by a company with no relationship to the original armory which shut down production in 1968.

​I just returned from a research trek through Connecticut and Massachusetts to document where these companies are now. Interestingly, most of their gun designs are available in brand new versions though built largely in Europe. Colt still makes rifles in West Hartford but not at its old sprawling factory under the blue onion dome. Even it was recently sold to a Czech gun maker. Henry Rifles are being manufactured again in the USA though not in New Haven. This predecessor of the Winchester was produced by the New Haven Arms Company before a long and tortured road to bankruptcy and eventual takeover by FN Herstal, of Belgium.

European companies finding a way to make our old guns profitably, and then selling them back to us.

Free trade is awesome though it begs the question: Why can’t we build them here? Especially since the original factories are largely available as is the high-end labor and innovators. It would seem like the old guns would be pretty lucrative as the European offerings often get into the $2,000+ range, way more than most AR-15’s. 

Personally, I’d like to see America’s civilian rifle arsenal de-risked. Not that AR-15’s aren’t awesome and fun to shoot – they are. They’re just too lethal. Assault rifles replaced with those like we used to make – by American workers. With government subsidies paying a big chunk of the cost to subsidize an American industry that pioneered the industrial revolution. It’s also worth noting that the original Savage factory in Middletown was water powered long before “hydro-power” was even a thing.

By Steve Richards

Is this musket ball the oldest firearm artifact in South Florida?

Can the history of South Florida be told through one tiny artifact? A single musket ball?

Looks like. So much so that we could easily dedicate an entire film to tell the stories it inspires. Stories that cover more than 300 years, from Ponce De Leon in 1513 to the sacking of the Cape Florida Lighthouse in 1836 – and the pirates in between.

It all starts in Key Biscayne with Ponce De Leon stepping foot on the island just across the Rickenbacker Causeway from Miami in 1513. Looking for gold, the Fountain of Youth, and easily enslaved natives – none of which he found - he didn’t stay long. But we can assume he brought Matchlock Muskets with him. (Ponce was on Columbus’ second expedition to the New World). That being said we have no surviving artifact(s) from the visit.

​Or do we?

We are in the process of identifying and documenting the oldest guns from South Florida’s history for our new documentary So Flo Guns.
This musket ball was found near the Cape Florida Lighthouse at the very tip of Key Biscayne. Built in 1825 it is the oldest structure in South Florida and the site of a Seminole sacking in 1836 – a major event of the Seminole wars of Andrew Jackson’s day.

In research for the film I knew that Key Biscayne and Cape Florida were huge to the story. So out I drove one afternoon and was directed by the guardhouse rangers to Art Levy, Park Services Specialist at Bill Baggs Cape Florida State Park. He is the keeper of the archives, and the stories. He’s also about to retire and is organizing the materials which have been collected over the years so he can pass them down to the next keeper of the flame before he leaves in October.

When I told him what I was up to he quickly pulled from deep in an old filing cabinet the musket ball he is holding. It had apparently been dug up by a beachcomber with a metal detector back in 1981.

This is likely a very important artifact given its provenience, a fancy word that basically means we know when, where, and even who found it. And given that Art has tucked it away all these years we can also assume it’s not forgery, not that anyone would bother.

Certainly old musket balls aren’t uncommon. But the only known musket ball dug up on Cape Florida? Now that’s fascinating and could fill a film or two on its own just from all the imagining it generates.

Like what? Well, it comes down to not really knowing what this musket ball is, when it was presumably fired, who fired it, where it was made, etc. All of which is the purview of archaeologists, scientists, and others that dig into such things.

​There seem to be several possibilities which include:

1. Ponce is responsible having maybe fired it to impress the Tequesta Indians he met in 1513.
2. It was fired by one of the two keepers during the lighthouse battle in 1836.
3. It was fired by one of the Seminole Indians during the battle.
4. It was fired by the keepers, or someone else, but not during the battle as the lighthouse was built a decade earlier and still stands today.
5. Pirates were responsible for it as the area was part of their domain for much of the intervening centuries.
6. It’s just a lead ball. Fact is though that we can’t even say that for sure!

I suggest we treat it with the respect it deserves and bring in scientists. Because while it is perhaps most likely that this musket ball is from the 19th century, we really don’t know. So we will be reaching out in the course of filming So Flo Guns to historians, archaeologists, metallurgists, gun experts, and the like.

For instance, we can perhaps determine the source of the lead in the ball with lead isotope analysis and other research methods to know whether the ball is of American or Spanish origin. Or somewhere else. This might also help determine who shot it – assuming it was shot at all.

A fascinating study of lead artifacts from the Lewis and Clark Expedition goes into tremendous depths along these same lines and presumably gives a road map for how to research our little ball. Elemental analysis of nineteenth century lead artifacts from Lewis and Clark and Hudson's Bay sites of the Pacific Northwest (umt.edu)

We can also examine the caliber and structure of the ball itself and match it to others that exist in musket ball databases.

Who cares? Anyone who is interested in guns in America and how we got to our present-day gun environment.

Is it 16th century Spanish or 19th century American? Was it fired by a Seminole or one of two lighthouse keepers fighting for their lives. We may never know. But It certainly shows how such a little thing can get us asking the right questions.

A potential next step? The Geochron Laboratories / Krueger Enterprises Isotopic Analyses (geochronlabs.com) outside Boston. They are the ones that can tell us what there is to be known about the metallurgy and chemical makeup of the ball if Art and the folks at the park on Cape Florida would allow.

We had a major celebration on July 4th with three bands, three food trucks, three security guards, and one stage.

Which is kind of a miracle given that Elsa was chugging towards us and rain in July is not exactly uncommon around here. But skies cleared the day before and we had sunshine all day long allowing a nice mix of folks from the neighborhood, the broader community via our online promotions, and friends old and new.

It was hot though with temps in the 90’s and a cloudless sky for most of the afternoon. Which meant our performers were baking in the sun, but they all performed with great energy on the stage on St. Luke’s lawn with a sound system that Frank the soundman made sound awesome! The performances by Pangea, PJ Aviles, and The Real Deal Band were all top notch as we knew they would be. Fortunately for the rest of us shade was plentiful under the trees and by the time Pangea went on around 6:30 the temps had dipped a bit and the full promise of the event showed itself with folks gathering from the community to see what was going on.

There was also melancholy in the atmosphere as we remembered the Surfside tragedy unfolding as we went with our flags at half-staff. This also meant speaker(s) bowed out, which we understood. We had rethought whether we were going to move forward at all given the circumstances but decided to move ahead as we felt this July 4th in particular needed to be celebrated given the year we all just lived through.

This was the first attempt at an event like this at St. Luke’s and while we were sure we would pull it off we had our share of issues. Like where the stage would go exactly, how long it would take to set up and get going given that we didn’t want to interrupt morning services, where the food trucks should park, how many security guards were needed, how many portable toilets, etc.

It was a great way to kick off our fundraising effort for So Flo Guns (SoFloGuns.com) which begins in earnest next week. I am still struck that another Miami mass shooting happened less than two miles from our office at St. Luke’s in Kendall just weeks ago. (Deadly mass shooting near Miami area college campus | Miami Herald) This continues to be a poignant reminder that the issues our documentary addresses affect all of us. None of us are immune to these risks in our midst. Our events going forward will focus on gun violence and 2nd Amendment issues – with elements from the film’s musicians, music, experts, and footage to forge engaging events.

So Flo Guns is the new feature documentary from TheoEco about guns in South Florida past, present, and the future. From Ponce De Leon’s arrival on Key Biscayne in 1513, to pirates in the Keys, throughout the 17th and 18th centuries, to Seminoles and Soldiers in the 1800s, to gangsters in the early 1900s, to the Cocaine Cowboys, to Parkland, we have a long and tangled relationship with guns, and their evolving lethalness.

For this event we departed from the So Flo Guns theme. July 4th is meant to be celebrated as those that came can attest given all the dancing going on. Thanks very much to Ariel Eva, Dorian Reyes, Raymond Daniel, Pangea, The Real Deal Band, Jim Cribb, Lyle Lingle, the food trucks, Eddie Baez at Professional Security, Moe’s Rental, the Ladies of St. Luke’s, and all the rest.

And if you haven’t yet donated we would greatly appreciate any size donation to help defray our costs of the event. We have extended the date to July 31st and have so far raised about $1,500 of our $6,800 breakeven goal. To donate click here.

PJ takes the stage at 4 PM.

Miami based Cuban American singer/songwriter PJ Aviles is well known amongst Miami musicians for his extraordinary talent. He is less known to the rest of us though we hope to correct that a bit on July 4th.

PJ works closely with Dorian Reyes who has produced and recorded several of the 23-year old’s recordings over the past few years, having been brought together by other musicians who appreciated the new talent. Dorian, when pressed for a comparison likens PJ to a John Mayer kind of guitar-based performance vibe, “He is a fabulous musician and awesome soul.”

That’s obviously a lot to live up to and we are eagerly anticipating his solo acoustic set of originals - and maybe a cover or two - on St. Luke’s stage on the lawn at our July 4th Celebration in Kendall.

It’s been a tough year for musicians everywhere and Covid has put most in a tough place. But the light is shining at the end of the proverbial tunnel. This event is meant to support this reemergence and will be the first live show many will have seen in some time.

​All are invited to this free event sponsored by TheoEco and St. Luke the Physician Episcopal (Anglican) Church. We are flying our flags at half-staff in remembrance of Surfside and will be remembering them all day on our nation's 245th birthday.

Lyle Lingle, Jim Cribb and the rest take the stage at 2 PM.

The Real Deal Band is South Florida’s top classic rock act with iconic musicians from these parts and local legend Lyle Lingle born and raised just a few miles from where they will be performing on the 4th of July in Kendall.

The Real Deal Band is the fortunate ensemble that has managed to play regularly through the pandemic at outdoor events throughout South Dade including Club Glades in Homestead and the farmers market off of Chrome Avenue.

We are expecting a bonanza of classic rock favorites from Bad Company, to Lynyrd Skynyrd, to Led Zeppelin, and so much more from these top musicians in our midst.

​All are invited to this free event sponsored by TheoEco and St. Luke the Physician Episcopal (Anglican) Church. 

Pangea - Dorian Reyes, Raymond Daniel Rodriguez, and the rest take the stage for their first post-Covid performance at 6 PM.

Born in Cuba, Raymond Daniel Rodríguez is a tremendous guitarist, as well as composer, singer, arranger, sound engineer and accomplished producer. Living in Havana until the end of 2013 he was hired with his group to tour the United States when he decided to reside in Miami, working as lead guitarist of the legendary band Pangea, one of several multi-faceted collaborations with Dorian Reyes, iconic band leader of Miami-based Pangea. He also produced at "Red Rock Studio" in Miami, which Dorian Reyes and Gloria Estefan's pianist and composer Clay Ostwald owned until Covid forced its shutdown. Pangea is the long-standing standard of Miami’s live music industry ever since legendary band leader Dorian Reyes began the group years ago. Of course the members of the band have turned over a few times since its inception back in the day, but the result is the same: a party going on, as we will witness on July 4th.

Raymond was awarded a Cuba Disco, the highest recognition that is given to musicians in Cuba, where he collaborated with other Cuban artists like David Blanco, Los Aldeanos, Iván Lejardi, Maylu, and others. 

Thousands of fortunate Miamians saw Raymond play with Dorian Reyes at the Deering Estate on Valentine’s Day 2019 where their original project Vintash Band played on the expansive grounds. It was an amazing performance on a perfect February evening. We are very excited that Raymond will be playing with Pangea on July 4th and while St. Luke’s lawn isn’t quite so expansive it is plenty big enough to handle the several hundred neighbors we are expecting on the Fourth. This time the music will be largely favorites from Pangea’s galactic repertoire of Miami’s favorites.

Thanks to his voice register, Raymond can perform different styles from R&B, Salsa, Pop, to Jazz, giving a different color to each performance and loyal followings on Instagram, YouTube, Spotify, Facebook, etc.

It’s been a tough year for musicians everywhere and Covid has put most in a tough place. But the light is shining at the end of the proverbial tunnel. This is Pangea’s first gig since the lock down and we are pleased to provide the venue to play for the neighborhood.
All are invited to this free event sponsored by St. Luke the Physician Episcopal (Anglican) Church and TheoEco.

​For more please go to Lukes4th.org.